Friday, December 3, 2010

Holiday Tours of Edwards Place


Step back in time to 1867 this holiday season at Edwards Place! Peek into the world of Helen and Benjamin Edwards and their daughters as they prepare to celebrate the holidays. You'll see the house decorated for Christmas, 19th century style - lots of greenery, but no electric lights! As you move through the house, you'll learn fascinating tidbits about early Victorian holidays - how the Christmas tree became a tradition, how Santa Claus became popular, why people exchanged presents on New Year's Day rather than Christmas, and why nothing said Victorian Christmas like a head cheese boiled from your very own pig's head.

After the tour, be sure to stick around for some shopping at Holiday Hall, where arts and crafts from more than 50 artists are on display. Find the perfect something for that special someone, and rest assured that your purchase is one-of-a-kind!

Holiday tours of Edwards Place are offered on Saturday, December 4 and Wednesday, December 15 at 6, 7, and 8 p.m. These tours are free and open to the public.

Wednesday, November 17, 2010

Helen Edwards Condell's dress comes home to Edwards Place


A chance conversation between two strangers led to the Springfield Art Association's acquisition of Helen Maria Edwards's Civil War-era day dress on long-term loan.

Curator of Collections Erika Holst went to the Dana-Thomas House in late October for that site's Halloween event. While there, Erika began chatting with a volunteer, Mrs. Manning, and happened to mention that she worked at the Art Association. In a happy burst of serendipity, Mrs. Manning declared that she had a dress in her closet which had belonged to Helen Maria Edwards Condell during the Civil War.

Helen Maria was the daughter of Benjamin and Helen Edwards. She moved to Edwards Place in 1843 as a three-year-old child and lived there until her marriage to Moses Condell in the summer of 1861, at which point she moved into a house her parents had given her as a wedding present, just across Fourth Street from Edwards Place. She was a frequent visitor to her parents' house throughout the Civil War, and it is easy to imagine the brown taffeta of her skirts spread out over the Edwards's parlor sofa as she took tea with her mother.

Helen Maria went on to have six children, including a daughter named Eliza Condell. Eliza, born in 1872, lived to be 103 years old. Mrs. Manning became acquainted with Eliza Condell in the 1950s. At one point, when Mrs. Manning needed a Civil War-era dress for a school performance, Eliza Condell loaned her one that had belonged to her mother. Eliza then insisted she keep the dress, and Mrs. Manning had it ever since.

Just before leaving for the Dana-Thomas House, Mrs. Manning happened to glance at Helen's dress in her closet and think to herself that she really should do something with it. Lo and behold, a few hours later she crossed paths with Erika, and the rest is history!

The dress will be displayed throughout the Christmas season. Be sure and come by for a tour to see this piece of family history!

Tuesday, November 9, 2010

The Heart of Enos Park

The Springfield Art Association, located north of downtown Springfield, is in the Enos Park neighborhood. What used to be the "Jewel of Springfield" now hosts more than 88 vacant lots, boarded-up homes, and many of the properties are in poor condition. That's not to say there aren't some incredible improvements made and maintained by the Enos Park residents, including drastic renovations, community parks, and wonderfully-restored homes throughout the neighborhood.

There has been a significant amount of press regarding the Enos Park neighborhood, including the transformation of the current campus to become a Cultural campus for the entire city, with a proposed three-to-four-story building for educational space and administrative offices.

Learn more: Read the SJ-R article for more information and where to attend tonight's master plan unveiling meeting.

Friday, November 5, 2010

Join us for a Victorian Seance at Edwards Place!

People holding hands around a table...mysterious rappings and tappings...tables shaking...messages from beyond the grave...these eerie and possibly supernatural occurrences were going on in dining rooms throughout the United States in the 19th century, and millions of Americans dabbled with Spiritualism.

Spiritualism is a religious philosophy that believes, among other things, that the human spirit survives after death and is able to communicate with the living through use of a medium. This philosophy became incredibly popular in America in the wake of the Civil War, in which millions of people mourned lost husbands, brothers, fathers, sons, and sweethearts. Mary Lincoln was known to have hosted seances in the White House during her husband's presidency.

On November 20 and 21, Edwards Place will host a theatrical recreation of an authentic Victorian seance. Noted hypnotist and licensed clairvoyant Amye Scharlau of Minneapolis will be the "medium", who will lead participants in trying to contact the spirits of the dearly departed, including the Lillie Judd, whose portrait hangs in the dining room. Will Ms. Scharlau be successful? You'll have to join us to find out!

Tickets are $25 per person. Price includes participation in the seance, a professional palm reading by Ms. Scharlau, wine, and hors d'oeuvres. Seating is limited to 10 people per session, and both sessions on November 20 are sold out. However, seats are still available for November 21 and 7 p.m. and 8:30 p.m. - call 217-523-2631 or email collections@springfieldart.org to register!

Friday, October 22, 2010

SAA in the News, part two!

Just a couple of weeks ago, the SAA was on the cover of the Illinois Times, with the article "Renaissance at the Art Association." Although it was a wonderful piece that followed Betsy Dollar, our Director, around for the week as she documented the different facets of our organization...there was a mistake made about the Edwards Place Historic Home.

The article states the following about the house:
"Edwards Place...is an elegant Italianate mansion once a center for social activity in Springfield...it is said that Lincoln courted his future wife, Mary Todd, at Edwards Place."

Well, not exactly...

Our Curator of Collections, Erika Holst, sets the record straight in the article "Lincoln Didn't Sleep Here," which was featured in the October 14 issue of the Illinois Times. To read the article, click here.

Thursday, October 21, 2010

Haunted Nights of History

Hear voices from beyond the grave on October 21 and 22 as Edwards Place is haunted by the "ghosts" of the Edwards family and friends! These dearly departed 19th century Springfield citizens will share the often fascinating, occasionally macabre, and sometimes tragic stories of their lives and deaths.

The people you'll meet include the Edwards' friend Mary Jane Welles and her twin sister Julia Homes, who each lost five children as well as her husband; family friend Bettie Stuart, who died of dysentery at age 30; Elizabeth Edwards, who was Mary Lincoln's older sister and Benjamin Edwards' sister-in-law, and many more!

You will have a chance to sign up for tours of Oak Ridge Cemetery on Saturday October 23, where a guide will take you to the actual graves of the people portrayed at Edwards Place.

Refreshments and Halloween-themed craft activities will also be available.

Tickets are $4 per person and no reservations are required. Tours begin at 7 p.m. and are offered every 15 minutes, with the last tour at 9 p.m. Cemetery tours are an additional $3 per person and will be offered at 1, 2, and 3 p.m. on October 23.

Friday, October 15, 2010

SAA in the Media



The Springfield Art Association has been in the headlines recently, and we'd like to promote these articles, and where you can visit to frequently stay up-to-date with your favorite art club.

The Illinois Times
The SAA was a recent cover story of the Illinois Times, a weekly publication that delivers cultural, visual and performing arts news of the city. The article, "Renaissance at the Art Association," chronicles SAA's Executive Director Betsy Dollar hopes and dreams for the organization, as well as documenting the day-to-day of the Springfield Art Association, including tours of Historic Edwards Place and various art classes in our studios.



The State Journal-Register
After making headlines of its own earlier this year, Travis Taylor's "Sybia" sculpture has a new home--the SAA Sculpture Garden! Taylor's piece, a ten-foot sculpture made of found objects and welded pieces, was considered a traffic hazard by the city of Springfield. Taylor even mentioned the SAA as a destination for artists in the September 1st article, which sparked the SAA's involvement to serve as sanctuary for the work.

The sculpture is now on display along the SAA Administrative Building, between 4th & 5th Streets. It joins the buffalo sculpture, and the recently-installed Butterfly, made by our 2010 Summer Art Campers.

Holiday Workshops at the SAA!



Although the Springfield Art Association is surrounded by the wonderful changing leaves on the trees throughout the Edwards Place grounds, we are already in full holiday mode! We have some upcoming events that are sure to add a lot of extra holiday sparkle in your Winter Calendar. (Please note: All workshops and teas require advanced registration; please contact the SAA Office to register.)

Pumpkin Decorating Workshop.
Saturday, October 23rd, 10:30 to Noon.
Love Halloween, but prefer not to have gooey pumpkin seeds on your kitchen floor? Make a mess in the SAA's Condell Studio! We’ll supply the pumpkins & embellishments—just bring your friends and creativity to make your pumpkin a defright…er, delight!

- - -

Wonderful Wreathes!
Saturday, November 20, 10:30am to 12:30pm.
There will be plenty of festive foliage, berries and other decorative embellishments that are sure to add a joyful addition to any door.

- - -

Holiday Cards & Paper!
Saturday, December 4, 10:30am to 12:30pm.
Make and marble holiday cards, and use stamping techniques to create your own wrapping paper!

- - -

Incredible Ornaments!
Saturday, December 11, 10:30am to 12:30pm.
From your first fold to the final finish, glitter to garland, you'll leave with plenty of tree-mendous trimmings!

- - -

Groovy Gingerbread Houses!
Saturday, December 18, 10:30am to 12:30pm.
Gum drops and licorice and red hots, oh my! Each workshop participant will be given their own house, an decorative fixings, to make a splendid scene!

Again, for questions, tuition information or to register for any (or all!) of these programs, please contact the Education Department of the Springfield Art Association: 523-2631.

Wednesday, October 6, 2010

Tea-riffic Time at Edwards Place!


Edwards Place held its first Victorian Tea on Saturday, October 2, and by all accounts a delightful time was had by all!

Twenty-nine guests joined us in the sitting and dining rooms for tea and treats - the same room where Helen Edwards entertained prominent Springfield citizens such as Abraham Lincoln, Stephen Douglas, Stephen Logan, and John T. Stuart more than a century and a half ago!

P.G. Tips tea (a favorite in England) was served in china teapots and teacups. The menu included curried chicken salad sandwiches on croissants; cream cheese, cucumber, and mint sandwiches on white bread; apple butter and cheddar sandwiches on wheat; and cream cheese sandwiches on zucchini bread, along with a tasty selection of fruit and desserts.

The Tea Ladies of Bloomington were on hand in their Victorian finery to present an interactive program on outrageous etiquette of the 19th century. Guests learned arcane but amusing tidbits such as why it was improper to chew on the end of one's umbrella and why one should secure one's baby in the carriage rather than bring it in when making a social call.

If you missed the fun on October 2, there is good news - Edwards Place is hosting a Christmas Tea on December 11 at 2 p.m. and there is still plenty of time to sign up! This tea will focus on the splendor of Victorian Christmas traditions, and the Tea Ladies will be back share details of holiday preparations in the 19th century, right down to the tradition of eating chocolate cockroaches! Afterwards, guests will have an opportunity to shop at the Art Association's annual Holiday Hall event, where local artists and artisans will sell their one-of-a-kind wares.

Tickets are $25 per person. Call 217-523-2631 or email collections@springfieldart.org to reserve your spot before November 29.

Thursday, September 30, 2010

Edwards Place reveals hidden secrets

The Art Association has owned Edwards Place for nearly 100 years, and all traces of the Edwards family's use of the house have long since disappeared under new layers of wallpaper and carpeting...or have they?
Funded in part by a generous grant from the Jeffris Heartland Fund, Edwards Place has hired the architectural firm of Sullivan Preservation of Chicago to create an Historic Interior Finishes and Furnishings Plan. Anne Sullivan and her colleague Robert Fitzgerald made their first official visit to Edwards Place on September 21, and in just a few hours' time they had brought to light several fascinating details about the construction and use of the house that had previously been lost to time.
Perhaps most exciting was Fitzgerald's discovery of a call bell in one of the rooms in the attic. There has long been an oral tradition that the Edwards family's servants slept in one of the two finished rooms in the attic, but now we have conclusive proof that this is the case. We shudder to think of that bell waking up poor Mary Sage on a freezing winter morning or in the middle of a sweltering summer night!
They also investigated the basement under the children's playroom at the far north end of the house and found evidence of a large masonry structure which led them to believe that the playroom was originally an outbuilding, perhaps a summer kitchen, that was connected to the rest of the house by the addition of the library.
At the end of their visit Buraski Builders showed up to remove the pier mirror in the family sitting room to reveal the original scrap of wallpaper behind it.


The ornate Rococo style suggests that it might have graced the walls as early as the late 1850s, when the Edwards family put on their major addition to the house.

Another discovery was made behind the shelf under the pier mirror in the formal parlor:

We will have to wait for scientific analysis before the true age of these papers can be determined. Nevertheless, it is thrilling to see this scrap of the past emerge, and to imagine what the house must have looked like and what must have been going on within its walls when these papers graced the walls.

Stay tuned for more discoveries as the architects continue to unearth the past at Edwards Place!

Tuesday, September 21, 2010

Help Build a Community Playground!


This summer, a representative from KaBoom! Playground (kaboom.org), visited the Springfield Art Association's Summer Art Camp to facilitate a specific art exercise.

The project? To draw an answer to the question, "What is your dream playground?"

Our Campers were incredibly enthusiastic about this project; the group visited Gehrmann Park (on 2nd & Calhoun Streets in Springfield's Enos Park neighborhood), chosen as the designated space for a brand-new playground.


On Saturday, September 25, their image on paper will be turned into reality.
The Springfield Park District, Blue Cross and Blue Shield of Illinois, and the Enos Park Neighborhood Association need your help to build this playground.

The State-Journal Register article can be read here.

Thursday, September 16, 2010

Spotlight on the Collection: Lillie Parker Judd Portrait


Walking into the dining room of Edwards Place, the first thing that commands your attention is the massive portrait of the child in blue. She is perched sideways on a chair, dressed in the full skirt, jacket, and "Swiss belt" typical of young girls' attire in the 1860s. The expression on her face is gentle, almost wistful.

Her name is Lillie Parker Judd. She was born in 1856, the only daughter of George and Lucy Judd of Springfield. Her father was an attorney and railroad lobbyist, and the Judd family were almost certainly acquaintances of the Edwardses.

The Judds were a prosperous family, but all the money in the world would not have prevented the tragedies that befell them during the 1860s. On December 27, 1862, Lucy gave birth to her second child. This little boy was named George after his father, but he would not live to follow in his father's footsteps: he died the same day he was born.

Then, on July 26, 1865, tragedy struck again: Lillie died at age 9, most likely of disease, leaving the Judds childless. She was buried at Oak Ridge Cemetery, where her brother's remains had been transferred from the old Hutchinson Cemetery just two months earlier.

Her portrait was painted by George P. A. Healy, was one of the most prominent and in-demand portrait artists of the 19th century. His clients included every president from John Quincy Adams to Ulysses S. Grant, and a host of prominent military, political and business figures besides.

It is not known when Healy painted the massive portrait of Lillie, or even if the portrait was painted from life. The possibility exists that it was painted from a photograph after Lillie died - its remarkable dimension (64.5" x 53.5") - and what was undoubtedly a remarkable expense - suggest the kind of investment that bereaved parents might make in a stunning memorial of their lost child.

To learn more about Healy and the Judds, come by Edwards Place for a tour!

Tuesday, September 14, 2010

I-Spy "Young at Art"



Look for this banner at the 22nd Annual Edwards Place Fine Art Fair this weekend! This will lead you to the Children's Tent, fully equipped with creativity and plenty of crafty art projects!

Fall into Art...



School Supplies? Check.
New Backpack and lunch box? Check. Check.
Young Artist Studio?...

Be sure to 'check' art classes off your little Picasso's to-do list this fall.

Click to see our line up of Fall Classes...

For more information on registration, and scholARTship applications, please contact the SAA Office by phone (523-2631) or e-mail, education@springfieldart.org.

Wednesday, September 8, 2010

Edwards Place Art Fair



The Edwards Place Fine Art Fair has been the city's premiere fall art festival for the past 22 years.

Eight years ago, the SAA moved the Fair to the the third weekend in September, and it has since become the not-to-be-missed event of the season.

The 22nd Annual Edwards Place Fine Art Fair. Ranked Best by:
Abraham Lincoln,
Vincent van Gogh,
Uncle Sam and Mona Lisa,
and Ron Burgundy...

...It's science.*


[*Note: Alright, alright, these individuals haven't actively submitted any sort of quantitative information regarding their affection for the Fine Art Fair, but let's pretend. I mean, who needs rankings when you Abraham Lincoln on your side?!]

September 18 and 19. Art. Music. Food. All weekend. Come see it!

Thursday, September 2, 2010

Volunteers Needed for Haunted Nights of History

It's September, which means fall is just around the corner! Time for leaves to change, the temperature to get colder...and ghosts to take up residence at Edwards Place!

The seventh annual Haunted Nights of History will take place on October 21 and 22 from 7 to 9 p.m. Each room of the house will be haunted by a "ghost" of an Edwards family member or friend, who will share his or her tragic tale with visitors on the tour. These ghosts will include Captain Benjamin Ferguson, Alice Edwards's husband, who survived the siege at Vicksburg only to drop dead at his desk in the Springfield Marine Bank; Mary Welles, who lost her husband and five of her six children to cholera and scarlet fever; Bettie Stuart Brown, wife and daughter of Benjamin Edwards's two law partners, who died of dysentery at age 30; Ninian Edwards Condell, who drowned at age 19, and many more.

Volunteers are needed to portray these ghosts (costumes will be provided), as well as to assist visitors through the home during the tours. Everyone interested in participating is invited to attend an informational meeting on September 13, 2010 at 7 p.m. at the Springfield Art Association.

If unable to attend or for more information about the tours or event volunteer opportunities, call 217-523-2631 or email collections@springfieldart.org.

Monday, August 30, 2010

Celebrate Labor Day with Paper...

...yes, paper.



It was only after confirming a Thursday morning appointment that I realized, September's almost here. Like, in-twenty-four-hours here. I don't understand how three months vanished in (what seemed to be) three minutes...wasn't it just Memorial Day?!

For those that aren't quite ready to give in to Fall, the Springfield Art Association is the place to enjoy what some consider the last weekend of summer. This Labor Day, celebrate the work of artists from around the country in the Gallery's latest exhibition, "PULP: Fact, Fiction and Fantasy." This show had an incredible turnout for its opening last Friday, and we know why: It is an incredible array of work that defies everything you think you know about paper. From chambers to dresses, curling sculptures to artist books, "PULP" is a multidimensional must-see of handmade paper. The exhibition runs through October 2nd. Contact the SAA Office for more information and hours.

See our article, an IT! Pick, in the Illinois Times' Fall Guide here.

Thursday, August 26, 2010

Household Help: 19th Century Servants at Edwards Place

Helen Edwards was not raised to do housework. Her father died when she was just a child, leaving her mother to raise the children in a series of boarding houses on the East Coast. She was never required to cook a meal, do washing, or undertake any of the endless, onerous tasks that went with household management in the 19th century.

All that changed when Helen moved into Edwards Place as a young wife and mother in 1843. Servants in Springfield were nearly impossible to find, so the Edwardses had brought a hired woman up from St. Louis. This woman, however, was so "intemperate," as Helen recalled, that "in less than a year I was obliged to discharge her and my troubles in housekeeping began." Suddenly she was responsible for everything that went with maintaining a two-story, six-room brick house (the house wasn't enlarged to its present size until the late 1850s): cooking meals, tending fires, sewing clothes, cleaning, milking the cow, making soap and candles...everything.

It wasn't easy, to say the least. Helen later told the story of standing "in agony over the churn and the butter that apparently never would come, the tears streaming down her face and into the cream - crying the more because she was sure her husband would notice the extra salty flavor and make stern comment on it.

Next Helen tried hiring “farm girls,” but none of them knew how to keep house very well, nor did they “know their place” – some insisted on sitting at the table with the family, which Helen just couldn’t have. At one point they had an indentured servant, but Helen found her more trouble than she was worth. When she and Benjamin tried to discipline her, this girl would scream and yell. Helen was glad to be rid of her.

She finally found a steady supply of servants when the construction of the Illinois and Michigan canal and local railroads brought a flood of Irish immigrants to central Illinois. Just because Helen had servants didn't mean her housekeeping troubles were over, however. Later she would tell her granddaughter that having servants to manage often times just made more work for her.

Helen's letters to her daughter during the 1860s and 1870s are full of the trials and tribulations of managing servants. At one point she complained that her good was wasteful; another time she was irritated with a servant for talking back and called her "a provoking piece of humanity," still later she felt obliged to nail down sections of carpet herself because her hired man was "not at all particular about these matters," and still another time she recorded that "I dismissed my house girl on Monday morning, and yesterday took in, a brand new girl, from the Emerald Isle."

Still, despite Helen's "servant problems," domestic help was necessary to the maintenance of Edwards Place. At any one time the household would have a cook, parlor maid, and hired man. Additional help was also brought in for sewing and washing. Helen was not alone in needing servants, either. The onerous nature of household management in the era before electricity and running water meant that practically every middle class household had at least one domestic servant in its employ. They were meant to stay invisible, working in kitchens and sleeping in attics or back rooms, yet it was through their hard work that houses such as Edwards Place were able to shine so magnificently.

Tuesday, August 24, 2010

Back to School...


When I was little, I loved shopping for schools supplies. I remember opening the mail each August to find the big “School Supply” list from my new teacher (2 boxes of tissue, 1 pencil box, zero hot pink pens) that my mom and I would then take to the store and check as we placed items in the cart. When the first day of school came, I was more excited about what was in my backpack than who was in my class. Even in college, my best friends and I would take the luxurious, scenic drive from DePauw University to Avon, Indiana, for its Super Target, and fill at least two carts with new folders, binders, and black felt tip pens (my favorite!). It sounds silly, but going out for school supplies was my emotional equivalent to going up a roller coaster; it was the tangible start towards something new and exciting…even if the first day jitters were along for the ride.

But, in the case of the SAA’s School of Art, ‘back to school’ takes on slightly different meaning. Instead of new spiral notebooks and color-coded folders, we count canvases, sort brushes, and take an inventory on acrylic paints. We hang artwork and prepare the Gallery for a new exhibition (“Pulp: Fact, Fiction and Fantasy” opening this Friday!). Later on, we will also prepare the grounds for our 22nd Annual Edwards Place Fine Art Fair, a wonderful display of art in our community from across the nation, with more than 80 artists displaying and selling their incredible works in diverse media. We have also done a lot of work to our website, www.springfieldart.org, with information on all of these creative offerings.

So check it out, maybe join one of our ceramics or jewelry-making classes, and head out to the store for some school—or art!—supplies to make your back-to-school experience a fun-filled rollercoaster!

Thursday, August 19, 2010

Spotlight on Benjamin Edwards




Benjamin Edwards was born June 3, 1818 in Kaskaskia, Illinois, to a distinguished family. His father, Ninian Edwards, was then serving as the territorial governor of Illinois. Benjamin was the youngest of three sons. His oldest brother, Ninian W. Edwards, would go on to a distinguished career in state government. His middle brother, Albert Gallatin Edwards, would serve as assistant secretary of the U.S. Treasury under Abraham Lincoln and would later found the brokerage firm A. G. Edwards.


Benjamin was sent to Yale in 1836, where he received a general education and attended law school. In 1839 he became the first person born in Illinois to graduate from Yale Law School. While in New Haven he met and married Helen Kissam Dodge.


The young couple decided to settle in Illinois, where they had both been born. They chose Springfield because Ninian W. was by that time an established attorney and politician and one of the most prominent men in that town. They stayed with Ninian and his wife Elizabeth for a few weeks after arriving in Springfield, and there they met Elizabeth's vivacious younger sister Mary Todd. Eventually they moved to their own home at the corner of Fourth and Monroe Streets.


Benjamin finished his law education in the office of Stephen T. Logan (who would become Abraham Lincoln's second law partner). In 1841 he went into practice with Edward D. Baker, a silver-tongued, rising politician. Two years later Benjamin formed a partnership with John T. Stuart, Mary Todd Lincoln's cousin and Abraham Lincoln's first law partner. This partnership would last more than forty years, until Stuart's death in 1885.


Benjamin was extremely active in the community. He was an advocate of the public school system, served on the board of the Springfield Library Association, and was extremely active in the Temperance Movement. In fact, during the 1850s he joined forces with Springfield's city attorney, Shelby Cullom, to prosecute all the liquor crimes in town.


Although he was not particularly interested in holding political office, Benjamin nevertheless had many political friends. He, like Lincoln, was a Whig until the mid-1850s. But whereas Lincoln joined the Republican party after the Whig party dissolved, Benjamin cast his lots with the Democrats, supporting Stephen A. Douglas over Lincoln for Senate in 1858 and for President in 1860.


Benjamin Edwards was said to be an upright citizen. Although he could occasionally get blustery, and one person remembered him as being "as fastidious as any woman," he was also known as a loving father and a kind friend. Although it has been more than 120 years since death took him from Edwards Place, his grand mansion still carries echoes of the life he lived. Stop by for a tour to learn more about him!


Thursday, August 12, 2010

Tea Party Birthday Parties at Edwards Place

Edwards Place has a history of hosting tea parties that stretches back over more than a century and a half. Before the Civil War the parlors would be filled with hoop-skirted wives and daughters of the city's most prominent citizens. After the Civil War, Helen Edwards's daughters joined her in hosting parties for the "young folks." Toward the end of the nineteenth century the Edwardses granddaughters would send over to Maladaner's for snacks and have their friends over to tea. And during the first half of the twentieth century white gloved ladies, hatted and heeled, gathered at Edwards Place to drink tea and discuss art.

Now Springfield's little ladies (and gentlemen) have the chance to experience the grandeur of Edwards Place for their very own tea party birthday parties! Tea is served at a beautiful table with china cups and silverware in the formal parlors of the historic mansion. You provide the snacks (menu suggestions are provided), we provide the fun!

You can choose between two party packages. The first includes a brief guided walk through Edwards place, tea in the parlor, a selection of tea party- and Victorian-themed games, a guided walk through Edwards Place, and your choice of craft (possibilities include painting a parasol, decorating a fan, making a bonnet, decorating a jewelry box, or painting a flower pot). The cost for this package is $130 ($100 for members of the Art Association).

The second package includes a full guided tour of Edwards Place, dress-up with jewelry and hats, tea in the parlor, a selection of tea party- and Victorian-themed games, a teacup painting craft, and a tea party book as a favor. The cost for this option is $150/$125 members.

Call the Art Association today to schedule your party!

Tuesday, August 10, 2010

SAA: Springfield's Amazing Art (Classes)

Did you know the Springfield Art Association has:
- a Metals Lab for jewelry and enameling?
- a Ceramics Lab for pottery classes?
- the Condell Studio, the largest studio space in the city
- the oldest house in Springfield on its original foundation?

...if you said no, don't worry, you're not alone.

I probably shouldn't confess this, but when I was hired as the Education Coordinator, I didn't know anything about the SAA (alright...I knew I wanted to work there, but honestly that was it.) The closest I had come to its programming was Art Outreach, and I had seen the Edwards Place home (you honestly can't miss a large pink, Italianate mansion on North 4th Street!) before, but that was about it. Boy, what a year it's been.

I have been at the SAA for almost a year now, and have compiled 4 class schedules, 6 sessions of Summer Camp, and have sent 71 Art Outreach portfolios into almost 50 schools. To say we have a lot to offer the Springfield community is an understatement. Not only do we have our School of Art that offers dozens of classes in different media throughout the year, but we also have a Gallery of Art that showcases original exhibitions of artwork throughout the county and country.

With summer (almost) behind us, the SAA is gearing up for its fall line of educational programming. Perhaps most exciting for the Education Department is the presentation of the SAA's Fall Schedule of Classes that debuts August 23rd. Registration will run through September 22nd, and the School of Art will begin its fall session the week of September 27. Most of our classes are eight weeks in length; jewelry runs nine, but there are plenty of shorter-term offerings, studios and workshops. There are also some seasonal weekend workshops, including Pumpkin Decorating and other autumnal art projects.


Be sure to bring back Springfield Art, and take advantage of all of our classes. To join our mailing list, please e-mail: Education@SpringfieldArt.org.

Thursday, August 5, 2010

Treasures of Edwards Place: Giant Teacup

The Edwards family drank their fair share of tea at Edwards Place, but it is safe to say they never consumed 23 gallons at one sitting - yet in one of the upstairs bedrooms is a giant teapot big enough to hold nearly 400 cups of tea!





That particular pot never graced the Edwards's tea table, however. It was a originally belonged to Benjamin H. Ferguson, husband of Benjamin and Helen's daughter Alice. He was a glass and china merchant whose store in downtown Springfield did more than $40,000 worth of business annually. One of his suppliers, Alfred Meakin of Tunstall, England, sent him this teapot as a promotional item in 1893. It was meant to sit in Ferguson's store and attract attention to boost sales.


The teapot is 37 inches tall and 73 inches in circumference. It features hand-painted flowers and gold lustre lettering which proclaims "Presented by Alfred Meakin Tunstall, England, to B H Ferguson, Springfield, Ills. U.S.A." Somewhere along the line its handle was broken, but we still have the pieces and hope to have it restored at some point.


Meakin probably created a dozen or so of these teapots and sent one to each of the leading china wholesalers in the United States. Today only three are known: this one, one at Hohnecker's Gifts in Dubuque, Iowa made for Little, Bruce & Co., and one at the Cincinnati Museum Center made for the Dean and Kite Company.


Stop by Edwards Place for a tour between 11 a.m. - 2 p.m. and see this rare treasure for yourself!

Wednesday, August 4, 2010

Calling all Little Leaguers!

Bring your Little Leaguers to an event that is sure to be a home run for everyone in your family at the Springfield Art Association! Tomorrow, August 4, from 4 to 8pm, the SAA will open its studio doors to host a night of arts and crafts, to celebrate the “Play Ball” Exhibition (through August 21). This invitational is a first, but a sure hit of hands-on art activities for the family to enjoy together. You can even meet former MLB White Sox player Ron Kittle, as well as local player Jon Knoeldner, who will be here to sign autographs! Make your own baseball card, stitch a foam mitt; even paint with baseballs! Try your hand at carnival games and check out the wonderful line-up of art in the show while listening to music that’s sure to remind you of yesteryear’s trips to the ballpark!

Activities will be guided by Springfield Art Association faculty, staff and volunteers. Refreshments will be served and all children must be accompanied by an adult. No reservations are necessary. All activities held at the SAA campus, located at 700 N. Fourth Street in Springfield.

Bring the whole family and enjoy this triple play of art, fun and baseball at the SAA Park—what’s more, every Little Leaguer dressed in uniform will get a free hot dog! For additional information contact Katie Rasmussen, Education Coordinator, at 523-2631, or by e-mail: education@springfieldart.org.

Thursday, July 29, 2010

Edwards Place Acquires Copies of 15 Historical Photos

Edwards Place tells the story of the Edwards Family: Benjamin and Helen, their three daughters Helen, Alice, and Mollie, and their grandchildren. Over a span of 63 years, from 1843 to 1909, members of this family lived, played, ate, entertained, prayed, laughed, cried, fought, and loved within its walls. As one walks through the rooms of Edwards Place and sees the family's belongings in the space that they once called home, they seem so close, despite being separated from us by more than a century.

Yet until recently, we didn't even know what the Edwards daughters or grandchildren looked like in their youth. That all changed thanks to the generosity of an Edwards family descendant. Benjamin and Helen Edwards's great-great-granddaughter recently made 15 historical images of the Edwards Family available to the Art Association, giving us a priceless window into the 19th century.








Of particular interest is a photograph of little Tom Condell, taken when he was four years old. Research into the Edwards family letters has enabled us to pinpoint the exact date it was taken: Wednesday, February 5, 1868, at S. P. Tresize's Enterprise Gallery in Springfield. Tom was living with his grandparents while his parents, Helen and Moses Condell, were setting up a farm in Kansas. Three days after the photo was taken, Helen Edwards wrote to her daughter: "Alice took Tom down on Wednesday last to Tresize's to have his picture taken. They are done this evening - so I shall probably be able to send you one. He is very well, and I think growing fat." A week later Alice wrote to her sister Helen: "We think Tom's pictures splendid, the one in which he is sitting is too sober, but still a good likeness...the suit he has on is the one Mrs Ferguson and I made him, he is more proud of it than you can imagine and is always delighted when he can put it on."

With this one simple image, several touching family scenes from more than 140 years ago is brought to life: a small boy putting on his favorite suit; a young aunt taking her nephew into a bustling post-Civil War town to have his photograph taken; a family sitting together and examining the pictures; two women writing to a loved one far away to report the progress of her small son.

The photographs also include images of Edwards daughters Helen and Mollie; daughter Alice's husband Benjamin Ferguson; grandchildren Tom, Eddie, and Helen; and a group photo of Benjamin Edwards's uncles and aunts. There are also two photographs of the interior of Edwards Place taken in the 1890s. Both of these will be used in the future to inform the recreation of Edwards Place's 19th century appearance. All these photographs allow us to finally put faces to the names we know so well and carry us a step closer to bringing Edwards Place to life for visitors.


Wednesday, July 28, 2010

SAA...Springfield Art...Appropriation?

My favorite word in the language of art history is the verb appropriate. I know, it’s strange to love a word that means, “to take [something] for one's own use, typically without the owner's permission” (Merriam Webster), but hear me out. And prepare yourself—because we’ve done just that at the SAA.

In the everyday world (say, not citing scholarly quotes in a final paper), stealing ideas for our own, original use doesn’t sound like the greatest of ideas (not to mention the lawsuits and potential expulsion as consequences). But in art, I feel it’s all we do; we look to what’s been done before and assess them, borrow their ideas, shift things around, et voilà! By transforming an existing idea or place or familiarity with an object—Campbell’s soup cans, anyone?—you have something extravagant, new and fortifying!

As artists of young and old continue to appropriate the already-existing or everyday into a new work of art, so does the Art Association with its educational programming. Perhaps some of you are familiar with Art Outreach, an in-the-classroom arts appreciation program, with more than 70 thematic portfolios. Established in 1973, these portfolios, with 10 to 12 prints in each, explore a certain artist, pairing or artists, or movement in art history; for example, we have an “Impressionism” portfolio, a portfolio on Frida Kahlo & Diego Rivera; and more general information portfolios, like “Transportation,” “Women Artists,” or “Sports.” Any educational organization in the Sangamon County can check out these portfolios, free of charge. Not sure who Claude Monet was? Don’t worry; we’ve got you covered with information packets, additional reading information, and supplementary craft projects for the classroom, already included for your presentation.

Although we have more than 40 schools utilizing the program, we decided to appropriate the materials and wonderful information already in Art Outreach’s possession and introduce them to another audience—those that homeschool. But to appropriate means to add something new, right? So we did, by hosting the Art Outreach program in our spacious Condell studio, or Gallery, with a presentation and an art project that visually reinforces the lesson or theme. We named it “Third Thursday,” as it occurs the third Thursday of every month. The Art Association also researched the various national cultural & heritage months and paired them with a portfolio; for example, Third Thursday discussed the “Harlem Renaissance” for African American History Month in February, and “Landscape & Seascape” for April’s Earth Day.

All of our presentations are available under the “Art Outreach” tag on our site, or by clicking here. We do ask that anyone interested in coming to the Third Thursday presentations please call ahead. There is also a $6/student registration fee to cover the expense of supply materials for each craft. Come down to the SAA and appropriate Art Outreach into your homeschool curriculum! Our next presentation is August 19 at 1pm.

Friday, July 23, 2010

Benjamin and Helen Edwards Went to the Lincoln Wedding

Abraham Lincoln's wife's sister Elizabeth was married to Benjamin Edwards's brother Ninian. On paper this looks like about six degrees of separation, but in antebellum Springfield this meant that the Lincolns and Edwardses were practically family. In fact, Benjamin and Helen Edwards were among the small handful of guests invited to the Lincolns' wedding.

Lincoln and Mary had first gotten together sometime in late 1840, but early the following year they seem to have broke up. Historians are not sure why the split occurred, but there are several theories, ranging from a suggestion that Lincoln may have fallen in love with another woman to the idea that Ninian and Elizabeth might not have approved of him. Whatever the case, Lincoln and Mary's acquaintance was not renewed until the summer of 1842. Fearing the town gossips, they decided not to meet openly, but instead met in secret at the home of their mutual friends, Simeon and Eliza Francis.

On the morning of November 4, 1842, Lincoln stopped Ninian Edwards in the street and announced that he and Mary would be married that evening at the Episcopal Church. Ninian replied that this would never do; Mary was his ward, and she must be married from his home. He went home and broke the news to Elizabeth, then seven months pregnant with their second child, that she had until the end of the day to arrange an entire wedding. Then Ninian went straight to his brother Benjamin's house.

He was greeted by Benjamin's wife, Helen. "My wife wants you all to come to our house this evening," Ninian announced. When Helen asked what was going on, Ninian explained that Mary and Lincoln would be married in his parlor that evening, adding "I left Elizabeth crying, but [neighbor] Mrs. Levering has gone in to see if she can help her." Elizabeth later told Helen that she was hurt Mary had not confided in her about the romance, nor given her much time to prepare a proper wedding celebration.

"Mary, you have not given me much time to prepare much of a wedding entertainment for our friends," Elizabeth had told her, "I shall have to send to old Dickey for some gingerbread and beer." Mary, still smarting from a comment someone had made earlier about Lincoln's humble background, tartly replied "Well, that is good enough for plebeians, I suppose."

With Helen Edwards's help, Elizabeth pulled together a simple yet elegant wedding. Helen later recalled that although the bride had neither veil nor flowers in her hair, "The wedding was what might be called a pretty one, simple yet impressive." Only 30 or so people attended, mostly family and close friends. When Helen died in 1909, she was the last adult living who had attended the Lincoln wedding.

For more stories of Springfield's 19th century social life, including the connections between the Edwards and Lincoln families, come to Edwards Place for a tour!

Wednesday, July 21, 2010

Finding the Energy to Create

People often say to me that they aren’t creative or they don’t have the time or energy to be creative. Everyone is creative, some are just more aware of it than others. I understand that finding time to take an art class or focus to make something can be a challenge in our hectic and demanding lives; but the simple act of being creative shouldn’t be a step outside the norm, it should be a state of being. Has our overly mechanized and logical society set creativity apart from the norm? Maybe, but I don’t buy into this idea.
Creativity is sparked by the simple act of paying attention and doing or seeing things differently. It’s a choice. If you want to make this choice, first, break the routine! Rote actions put our creative brains to sleep. If we don’t ask our creative forces for input on a regular basis, they go to sleep. That doesn’t mean they aren’t there for the asking, but if you haven’t used them in a while, they might be a little groggy.
Invigorate your creative juices by giving yourself the gift of a simple creative challenge. Do one thing to break your routine and challenge yourself to pay attention to one visual element that you find pleasing. For example, go for a walk, take a route that isn’t the way that you always go and pay close attention to the sights and sounds around you. Chose one characteristic to zero in on, like observing the various textures you encounter. Texture surrounds us physically and visually; yet we are rarely aware of it. Look closely, stop to touch surfaces, compare colors and recognize patterns. Taking time to really see and feel the textures in your surroundings should allow your brain to make new connections, develop new pathways and spark some ideas. If, on a regular basis, you step outside your routine to observe and experience some aspect of your surroundings in a new and different way; you will stimulate your creative forces and develop creative energy. Who knows what inspiration may come your way.

Tuesday, July 20, 2010

A Big KaBOOM! in Enos Park

The SAA is located in the heart of Enos Park, a neighborhood just immediately north of downtown Springfield. Enos Park was once known as the "Jewel of Springfield," and is made up of residents, and local businesses within the border of 3rd & 9th Streets and Carpenter & North Grand.

Recently, the Springfield Parks & Recreation Department informed the SAA of a very special donation to Enos Park. KaBOOM! Playground, and another corporate sponsor, awarded the neighborhood a brand new playground for its Gehrmann Park, located along the 3rd Street corridor. What's more is, the Art Association and its incredible Summer Art Campers were invited by both the SPRD and KaBOOM! to participate in its Design Day. The representatives from both organizations wanted input from their most celebrated constituents--the kids! Today, the Van Gogh-Gos camp visited Gehrmann Park with the representatives from each organization, along with the SAA Executive Director Betsy Dollar and the Steve Combs, the President of the Enos Park Neighborhood Association. Together, they all discussed the potential blueprint of the playground, and what equipment campers and kids throughout the neighborhood would most enjoy using to make it a well-visited space.

For more information on the playground itself, please visit KaBOOM!'s website here, or learn more about the Enos Park Neighborhood, past and present, here.

Thursday, July 15, 2010

Treasures of Edwards Place: Empire Buffet

Edwards Place has an amazing collection of 19th century decorative arts. Soon after the Springfield Art Association was formed in 1913, Alice Edwards Ferguson donated Edwards Place, where she had grown up and where her mother had lived for more than sixty years, for use as a gallery, classroom space, and meeting space. Many prominent local Springfield families donated exquisite pieces of antique furniture to help furnish the grand old house. These objects are beautiful in their own right, and many of them carry fascinating stories of their makers and owners.
One such piece is the Empire-style buffet now on display in the servants' dining room.



This object dates to 1831 and was made by a Cincinnati cabinetmaker named Thomas C. Estep. How do we know? Because Estep proudly signed his work underneath the lefthand drawer with the inscription : "This work made by his hands. Thomas C. Estep Feb. 14th A.D. 1831" and underneath the center drawer with "Cincinnati Hamilton County Ohio."

Census records show that Estep was born in Maryland around 1807. He is not listed in the Cincinnati City Directory until 1834, so this would have been a very early piece for him, completed when he was in his early twenties.

Not only do we know who made this buffet, we know who bought it: an inscription on the inside of the center drawer reads "Mrs. Salome Enos." Salome Enos was the wife of Pascal P. Enos, one of the first settlers of Springfield. The year after the Enoses purchased this buffet, Pascal died, leaving four small children and Salome pregnant with a fifth. Salome was named executrix of the Enos estate but soon ran into legal disputes concerning the payment of debts. The legal cases dragged on for years, and Salome eventually hired Abraham Lincoln to represent her.

This object may look like an ordinary buffet, but it has so many stories to tell: the story of a young cabinetmaker proudly finishing one of his first major commissions; the story of the growing trasportation network used by an expanding United States to supply goods to a restless population pushing ever westward; the story of a frontier family's desire for stylish and luxurious goods; and even a connection to Abraham Lincoln himself.





Wednesday, July 14, 2010

Hand Papermaking?




Hand Papermaking? Why?
The SAA is now offering classes in papermaking. No, not the reams or pads you may be thinking about; but handmade paper. Paper is such a basic commodity that it rarely captures our attention or interest; yet, we would be lost without it-- particularly as artists. Paper plays a pivotal role in art making; yet, it is under appreciated. Where would that graphite, ink, watercolor or pastel sit if it wasn’t for paper? What would papier mache or origami be without paper? It is an essential element that presents artists with choices and challenges. Like every other art material, the more we understand, the more we can use it to our advantage.


Who Invented Paper? There is no single source identified as the first paper ever made. There is agreement that it came out of the Far East; China and India have the oldest paper samples and histories. In the 13th century, paper was being produced in Italy and Spain. By the 15th century, papermaking was common across Europe and with Gutenberg’s invention of the moveable type printing press in 1438-40, the demand for and quality of paper increased dramatically. Sheets of paper made from a variety of fibers with a range of qualities were being made across Europe. By the 18th century, Italy and England set the highest quality standards for handmade paper and continue that tradition today.


What is paper made from? Paper is made from the base cellulose structure of plant material; the purer the plant material, the higher the quality of the paper. For example, we all know that newsprint is very low quality paper. This is not because it is thin, it is the residual acid left from the quickly processed wood chips that reacts with air and light to break down the fibers which causes them to discolor and break. The highest quality printmaking and drawing paper is “100% rag” meaning that it is made from cotton fibers. Initially paper was made from rags (old clothing) hence the term. Although there are now more direct sources of cotton fibers for papermaking, many hand papermakers use all natural fabrics like denim, linen, and canvas for their paper; the trick is avoiding any synthetic fibers.


How do you get from fiber to paper? (Western or European Style Hand Papermaking)


The fibers have to be separated and suspended in water. This happens by “beating the fiber to a pulp.” Today beating is done by a machine called a Hollander Beater. (The first beater of this type was created in Holland in 1680.) The pulp is then added to a vat of water. A deckle mould is then dipped into the vat. The pulp is distributed evenly across the surface of the mould and water drains away. This sheet of paper is then transferred from the mould to a felt. The stack of felts, with the sheets interleafed, are then pressed to remove the excess water and physically bond the fibers of the paper. After pressing, the sheets are dried under restraint to keep them flat.


Sounds like a lot of work...


For most applications, artistic or otherwise, purchasing machine made papers is the way to go. However, as an artist, making paper can offer a broad spectrum of creative opportunities and processes that cannot be purchased off the shelf. Join me for one of my introductions to hand papermaking workshops to get a glimpse of the possibilities. The next workshop is Saturday, July 24th. You can find all the registration information at http://www.springfieldart.org/ or contact the SAA office at (217) 523-2631.

Tuesday, July 13, 2010

...just two more weeks of Summer Art Camp

Mini Monets? Check.
Wee Warhols? Check.
van Gogh-Go's...half check.
Rockin' Rembrandts...sixty percent check.

It is hard to believe Summer Art Camp is over in less than two weeks. The SAA has been planning Summer Art Camp since January, our instructors were crafting in February, and registration opened in March. Since then, it's been a flurry of excited and creative campers, inspiring projects, and an wonderful energy defused in our Condell Studio all summer long.

This week, we welcome our full-day campers, the van Gogh-Go's. We also have "Portrait Palooza," a specialized painting class that meets in the mornings for our sixth through eight grade students, the Rockin' Rembrandts. For the past three weeks, we had the Wee Warhols (Kindergarten through 2nd grade) in both the morning and afternoon, and kicked off Camp back in June with our pre-K Mini Monets.

Camp has been one of the most exciting and creative educational offerings at the Art Association for years; the instructors, the projects and the enthusiasm dedicated to the arts have never been more vibrant. As one camper said during the last session, "You make a mess, you make art, you make friends at Art Camp." We are so proud and endlessly motivated by that sentiment.

The enthusiasm for all things art continues into the fall! Young Artist Studios & Pottery are in full force for Fall classes that being September 27 (schedule and registration available August 23).

Please contact the SAA Office to join our mailing list, or to learn more about our studios & facilities.

Thursday, July 8, 2010

Rediscover Edwards Place!

Edwards Place may be nearly 180 years old, but there is a lot of new stuff to discover behind its doors - new interpretation, new events, new exhibits! Come for a tour and discover what life in the 19th century was like for one of Springfield's most socially prominent families, whose parties were attended by the likes of Abraham Lincoln, Stephen Douglas, and other notable lawyers and politicians.

Benjamin Edwards was born in 1818, the youngest son of Illinois' first territorial governor, Ninian Edwards. Benjamin became the first person born in Illinois to graduate from Yale in 1838, and after a year at Yale's law school he married Helen Dodge of New Haven and moved to Illinois.

Benjamin and Helen arrived in Springfield on January 4, 1840. Helen's heart sank as she looked around the rude town of 1,200 people with no streetlights, no sidewalks, and mud so thick it was hard to for the stagecoach to pull through. She was nervous about meeting Benjamin's brother Ninian jr., with whom they would be staying until their own house was ready for them.

Her fears were allayed when they reached Ninian's house and he and his wife Elizabeth gave them a warm welcome. It was on that night that Benjamin and Helen first met the woman who would become one of their dearest friends: Mary Todd. Little did they know that twenty years later Mary would be the First Lady of the United States; that night she was just Elizabeth Edwards' little sister visiting from Lexington, Kentucky.

Helen was drawn to her at once. She later remembered: "The sunshine in her heart was reflected in her face. She greeted me with such warmth of manner...saying she knew we would be great friends and I must call her Mary. This bond of friendship was continued to the end of her life."

Today Edwards Place tells the story of the social and family life of the Edwardses and their friends. Stop by to discover the secrets of times gone by!

Wednesday, July 7, 2010

Springfield's Long Nine @ SAA

Last Saturday, the Springfield Art Association hosted a Vintage Baseball Game, complete with rules from 1858. The Springfield Long Nine plays games throughout the summer in different locations (their complete line-up can be seen here).

Here are some pictures of the game; from the food to the weather, we couldn't have asked for a more perfect day!









Tuesday, July 6, 2010

Coming up this week @ SAA

Although the Independence Day weekend is behind us, there is still a summer's worth of art to be had (and seen, and made!) at the Art Association.

Classes are beginning this week; although registration ended for some of the classes, the SAA can accommodate registrations for workshops later in the summer, as well as for classes not yet at capacity.

It's hard to believe, but Summer Art Camp is halfway over! We have just two more sessions left after this week. Want more art for your own Wee Warhol or Rockin' Rembrandt? Check out our new youth classes at springfieldart.org.

Friday, July 2, 2010

4th of July at the SAA



Fourth of July is undoubtedly my favorite weekend in the summer...just thinking of it conjures cookouts and parades; fireworks, or course; but also, baseball! And the Springfield Art Association has a perfect combination of fun, art, and America's favorite pastime.

"Play Ball," our current exhibition in the SAA's Gallery, is a wonderful installation of baseball's past and present through art, craft and memorabilia.

Tomorrow, on July 3rd from 12 to 2pm, there is a Vintage Baseball Game, on the Edwards Place front lawn. Learn about what baseball was like in the 1890s, and come play against the vintage players!

Refreshments are available; so come on out, bring your pennant and a picnic, and we'll see you at the game!

Wednesday, June 30, 2010

Summer Art Camp's in Full Swing!


I cannot believe that tomorrow marks the first of July, and that we are almost halfway through "Summer Art Camp" at the Art Association. It seems like yesterday we were opening our doors to welcome the first session, and now more than 100 creative, enthusiastic and energetic campers have come through, making some of the most innovative and imaginative projects the studio has seen.

This summer, the SAA offered twelve sessions of camp in both half-and-full-day camps for pre-K (4 & 5) through 5th grade, along with specialized classes for grades 6 through 8th. Each week was a different theme; the pre-K Mini Monets looked to the land, sky and sea for their inspiration in "Looking Up, Looking Down"; the first week of Wee Warhols (K-2) experimented with all sorts of ooey and gooey projects in "Let's Make a Mess," and this week, our second group of Wee Warhols are learning about the different traditions and customs around the world in "Create 'Celebrate!'"

It's been an incredible summer already. With a talented and art-loving camp staff, assistants and most importantly--our campers!, the rest of the summer will surely be the same.

Although many of our sessions have already filled, there are still plenty of opportunities to have art make its way onto your summer calendar! Visit www.springfieldart.org to check out our Summer Schedule of Classes that begin next week! Registrations will be taken over the phone, in person or by e-mail through Friday.

Tuesday, June 29, 2010

Summer Classes @ the SAA

Registration for Summer 2010 Classes is going on now through the end of the week!

From ceramics to jewelry, photography to papermaking, classes to smaller-scale workshops, there is something for every artist, regardless of skill, experience or age level. Along with old favorites (painting with Jean or jewelry with Meghan) to fresh classes with dynamic instructors ("Springfield Photo Safari," with Sarah Chatham of New Beginnings Photography, or "Clay Nations," a young artist pottery class with Meredith Pyle), the Summer Class Schedule offers more than before, while maintaining the high quality of instruction, art production and endless creativity you'd always expect from the SAA.

For more information on all of our awesome class offerings, visit the "School of Art" tab on the SAA's official website.